In Mozart’s Shadow: His Sister’s Story Book Review
In Mozart’s Shadow: His Sister’s Story
Book Review by Debbie Winkler
Author: Carolyn Meyer
Publisher: Harcourt Children's Books (June 2008)
ISBN: 0152055940, EAN: 9780152055943
Page Count: 368 pages
Format: hardcover
Target Age Group: young adult
My Rating: 




Synopsis:
Nannerl is hailed as a musical prodigy. She is a gifted musician and can perform musical pieces that should be far too difficult for a girl her age to play. Her hands dance along the keys and everyone is always amazed at her talents. Then her little brother is born. A little boy named Wolfgang Mozart. At first, it appears that there will be room in the spotlight for both of them, but Nannerl slowly finds herself pushed to the side as Wolfgang’s musical genius is recognized. For Wolfgang can not only perform difficult compositions, he can also improvise, do tricks and compose. And, most importantly, he is a male in 1700s Europe. Nannerl still dreams of becoming a great performer and of making a living with music, but reality slowly intrudes. Before too long, Nannerl and her mother are left at home in Salzburg, Austria, while Wolfgang and her father travel to all the major cities in Europe to earn money. Nannerl still hopes that Wolfgang’s success will mean a career in music for her, but the years pass and her dreams slowly fade away into shadow…
Review:
I recently read The 39 Clues series and was very interested in book #2 (One False Note), which was set in Austria. Instead of focusing solely on Wolfgang Mozart, the book brought in a lot of Nannerl’s story. I confess that, even though I took piano lessons for several years, I had never heard of Nannerl or spent any time investigating Wolfgang’s life. I simply knew that he was an Austrian composer. When I was in the library, this book, In Mozart’s Shadow, caught my eye as it was a fictionalized account of Nannerl’s life. I picked it up and found that I learned quite a bit about Nannerl’s life. This book is not real, of course, but we have a lot of information about where Wolfgang trained and traveled in his younger years and the author used these details to extrapolate feelings and tell Nannerl’s story. I wish that the author had included some more biographical detail as either an introduction or an afterward as I am not really sure how much of this book is based on fact and how much is made up. This would have made the book much more meaningful for me and help give me a grip on what I can now refer to as fact and what was imagined.
Regardless of how much of this story is actual fact and how much is fiction, the feel and tone of the book holds a ring of truth in it. We begin with Nannerl’s earliest memories of performing. She loves the pretty clothes, the attention, the time spent with her younger brother in duets and shares many wonderful details about historical Europe. Nannerl struggles with jealousy as her brother steals the limelight and her father’s full focus and attention. This was probably my favorite part of the book as I loved “seeing” all of the foreign cities through Nannerl’s eyes. She excitedly describes new clothes, new hairstyles and all of the local dignitaries and nobility that they perform for, as well as their reactions. As she grows into a teenager, we see Nannerl left at home while her more famous sibling and her father travel around the continent. A very gifted musician in her own right, Nannerl suffers due to the prejudice of the time and must be content to practice because she loves to play and to teach other young ladies. As Nannerl enters her 20s and 30s, she finds love, loses it and settles for what her father – and cultural mores of the time – will allow her. Her life shrinks down into the city of Salzburg and she only sees the rest of the world through Wolfgang’s increasingly rare letters. I confess that I was absolutely crushed by the ending of this book. I kept hoping for that Hollywood, happily-ever-after ending and for something to magically happen to Nannerl that would bring some joy and light to her life. The book doesn’t end as a tearjerker, but it does show how difficult it is to have a very talented person in the family as their fame and gifts eclipse and overshadow everyone else.
While the writing in this book is fairly remote, you can still get a good sense of who the author imagined Nannerl to be and what she was doing and thinking in the mid- to late-1700s. The book almost feels like an interview, a letter or a story that someone is telling you, the reader. There is not a lot of action in this book (as we know it anyway), but the characters are so fascinating and you will find yourself rooting for Nannerl as I was while you read. I loved the descriptions of fashion and hairstyles, but would have appreciated some pointers as to what exactly certain words meant or to get an English translation for some of the German words that the author used. By using authentic, historical terms, the book really has a period feel, but I didn’t know what a lot of things were and couldn’t always figure out what they were by the context of the book either. I can tell that the author took the time to put in plenty of historical details as the people that Wolfgang performed for and composed for are well documented. Royalty and nobility are described in a few broad strokes, but will bring a smile to the face of anyone who follows history and recognizes these famous, or infamous, names. Children will not really know who everyone is, but their titles are included so that will help. There is quite a bit of drama regarding the political machinations of the church and I know that many younger readers will be unfamiliar with the concept of the church being so involved in politics and of being the main employer in most towns. While this information is not necessary to read and enjoy the book, younger readers might get a bit confused as to why all of these people are important and how they fit in to the book.
In the end, I am glad that I read this book as I feel like it gave me a glimpse into the sparkling young girl that Nannerl started out as and the resigned, obedient woman that she turned in to. Throughout the story, music is the true leading character and is the thread that binds everything together. While the story is told exclusively from Nannerl’s point of view, you also learn quite a bit about Wolfgang Mozart, her more famous younger brother. He was a true genius, but he knew it, and was quite insufferable over it. I loved that, even though Nannerl was jealous of his opportunities and his gifts, she still loved him as a sister and did her best to support him and keep her family together. If you are looking for a fictional account of Nannerl’s life or Wolfgang’s life, this is a good, solidly written book that is entertaining enough to be readable, but still very informative.
Content:
This book contains a few off-color remarks regarding sexual intimacy, out-of-wedlock pregnancy, wedding nights and the like, but most are couched in historical phrases and are not very explicit. It will be clear to younger readers that there was a rigid gender bias in Nannerl’s times, as well as a class bias, which may lead to questions. Recommended for ages 10 and up.